Gujarati Patolas as Devotional Labor

Devotional textiles in traditional Indian artisanal forms can be considered as spiritual objects as well as embodiments of human labor and creativity that act as a culture’s heritage. In addition, our understanding of Indian textiles in both South Asian and Western collections can be enhanced by reflecting on the lives of artisans who made such cloths worn for religious rituals. As the weavers who made such cloths are long gone further context on these textiles is only possible by researching today’s practitioners who are inheritors of a craft and knowledge tradition. In light of my recent fieldwork on double and single-ikat Patola weaving in Gujarat, I approach making as arduous and repetitive physical labor. What do we learn about the spiritual attachments of such cloths when they are related to the conditions in which they are made and viewed as forms of work? What does devotional labor look like?