Monastic "idols" in Thai Buddhism embody divergent ideals of masculinity and monastic aesthetics. Monks attain the status of idols as followers circulate their images in photographs, portraits, and statues. When these depictions spread beyond the home temple, a monk can gain national recognition. This presentation examines two types of Thai male monastics: those in the forest lineage and monks with the title kruba. These lineages reflect distinct forms of masculinity—the forest lineage emphasizing ascetic autonomy, while the kruba monks incorporate a more androgynous aesthetic. Through diverse methodologies of media analysis, focus group discussions, and participant-observation at distinct Thai Buddhist temples, this paper engages the audience with images and videos from media and fieldwork. These visual representations highlight the varied models for monastic masculinity.