Too Sick To Pray: "Spirit" in Willie Nelson

This paper discusses the concept of "Spirit" in the music of Willie Nelson. Beginning with a Christological concept album in 1971, Yesterday's Wine, Willie Nelson used music as a medium to discern a theology of spirituality. This procedure reaches a climax in the 1996 album spirit. This record is a series of explorations into the meaning of “spirit” as an experienced reality. More than a claim that the concept affords numerous meanings, the album posits that this multivalence is the meaning of Spirit. This idea finds support from works such as Charles Taylor and Friedrich Schiller, who help to explain the potency of Nelson's exploration. For spirit, both its poetic and symbolic presence means that the album is not an attempt to explain Spirit. It is an event where the meaning of Spirit is discovered. Its meaning is lived-through in the lyrical poetry and fragile sonics of the album.