Papers Session: Arts, Literature, and Religion at the Centennial of 1925
Abstract for Online Program Book (maximum 150 words)
Analysis of the 1925 Ben-Hur film within its historical and theological contexts displays that the film functioned both as religious and cultural artifact, one that advocated Christian orthodoxy and essentialist Christian gender roles amid shifting ideologies of the 1920s. In particular, this paper will use the 1925 film as a case study, holding it up in contrast between the 1880 literary work that spawned it and the 1959 version that followed it, to ask how its particular vision of gender and theology was unique to its moment.