The Guise of ‘the Gentleman’: Reading the Devil and the Anticipation of Alexander II’s Assassination in Fyodor Dostoevsky’s The Brothers Karamazov (1879–80)

Responding to perspectives on Fyodor Dostoevsky’s The Brothers Karamazov as merely ‘glancing’ at its revolutionary backdrop, my paper will illustrate a more explicitly reimagined political landscape, labeled under ‘nihilism’ and the development of revolutionary terrorism. I focus on the characterization of the ‘Gentleman Devil’ in Book XI and present a reading through the evolving social profile of the nihilist revolutionary and the “gentleman” terrorist. The Brothers Karamazov’s “religious drama” frames the revolutionary movement as a national identity crisis, of which the Devil is central to understanding Dostoevsky’s portrayed consequences of the alienation of the (Russian) self. Underscoring the increasing presence of the Devil across Dostoevsky’s fiction of the 1870s, I seek to demonstrate how Dostoevsky’s portrayals of the Devil signal his own religious concerns and those of his time, found in responses to the revolutionary movement and its strands of terrorism that culminated in Alexander II’s assassination.