Papers Session: Trans* Religion(s) in South Asia
Abstract for Online Program Book (maximum 150 words)
This paper is a methodological reflection on the twentieth century genderbending Urdu poet Mīrājī, who reconceptualizes the way religion, literature, and gender fit together. The primary tension animating this paper is: how might a historian resist models of recuperation in service of modern evidentiary standards to prove trans people always existed? I argue that Mīrājī's cultivated illegibility resonates with imaginations looking to surpass legalized and medicalized discourses on transness.
Authors
