How do memories leave their traces on the land? And how does the landscape in turn render memories legible? This paper examines the emergence of the legend of the “Nodding Stones,” a hagiographic episode in the famous 4-5th century monk Zhu Daosheng’s biography, in which his sermons are so powerful that even rocks bow in assent. Although now firmly associated with Daosheng’s activity in Tiger Hill, Suzhou, the episode is absent from early biographies of him. Through a close reading of local gazetteers, Tang poetry, and sectarian biographies, I propose a new trajectory for the legend’s development from earlier materials to its later mature form. This paper shows that sacred geography is not a passive backdrop of narrative, and texts and spaces co-produce one another over time. Religious memory endures not simply through repetition in writing, but through its capacity to become anchored in place.
Attached Paper
In-person November Annual Meeting 2026
When the Stones Nod: Memory, Landscape, and the Afterlife of a Chinese Monk
Papers Session: Chinese Religious Culture, Digital and Material Approaches
Abstract for Online Program Book (maximum 150 words)
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