Religious Theatrical Performance and Visions of the Future

This paper employs analytical lenses from theater studies to evaluate the activities of new religions that use ostensibly secular theatrical performance to convey religious messages about the path to a better future. I focus on two examples, one historical and the other current: Moral Re-Armament (MRA), and Shen Yun. Both groups have attempted to use theater as a religious ritual that inspires spiritual awakening among theater-goers, though the specifics of their intended outcomes differ. To explore the tension between what a religious group intends and what they might actually be able to achieve, I juxtapose theater studies scholarship about performance activism and theaters of social change that can be applied to these examples in productive ways.