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“Gendered Dilemma”: Medieval Chinese Perspective on Gender and Sexuality in Buddhism

Buddhist practitioners in medieval China were faced with interpretations of sexuality and gender that caused dilemmas for them. These dilemmas were rooted in arising Chinese Buddhist interpretations of sexuality, lust, and objectification, and they affected the real-life experiences between the second and eleventh centuries. We aim to explore these dilemmas in their historical context to interrogate how gender and sexuality have long been and continue to be, some of the most fundamental essences of religious regimes. Recent scholarship has not adequately investigated the shaping process of gender and sexuality within Buddhist knowledge structures. We argue that this shaping process is engulfed with dilemmas, consequently being weaponized to incite and normalize gender-based violence and discrimination. This panel focuses on revealing various shades and dimensions of Chinese Buddhism's “gendered dilemma” from a range of medieval source materials, including archives, sacred texts, literature, archaeological findings, and bodily experience.

By coining the term “gendered dilemma,” the panel aims to engage with gender and sexuality as analytical tools to interrogate suppressed situations where a person faces multiple gender norms and is primed to iron out contradictions and conflicts, consequently forging new sets of power/knowledge regimes. The dilemmas did not present mutually exclusive options for the subordinate to “choose.” Instead, they were a window to amalgamate different alternatives that perplexed as well as reinforced the patriarchal societal structure. For specifics in Chinese Buddhism, Jinhua Jia, Xiaofei Kang, and Ping Yao, in their edited volume, Gendering Chinese Religion (2014), proposed to look at neglected gender symbols and dilemmas of religious life that get intertwined with ideology and politics. Building upon their gender-critical analytic framework, our panel examines different dilemmas concerning gender roles and expectations perpetuated by literate male elites participating in Buddhist practice and writings. The “gendered dilemma” is a rich multivocality in response to the tension and reconciliation emerging from the clash between introducing the Buddhist ideal of gender dynamics and the pre-established sociocultural constructions with expectations of gender roles.

What knowledge has been normalized, and how, in the “gendered dilemma”? Collectively, our panel showcases a spectrum of knowledge production ranging between intellectual and literary discourses, to pragmatic contexts about material culture. The first paper compares two normative cultural assumptions on the problem of lust regarding gender – Confucian classical texts vis-a-vis newly translated Buddhist scriptures – during the beginnings of Buddhism in China. The literate male elites thus faced an initial dilemma between their indigenous classical notions and newly introduced Buddhist ideals on gender. Informed by the underlying societal context, the study argues that these male elites amalgamated these two ideals and eventually produced new knowledge. This third gendered discourse ultimately calcified a normative standard of lust that rationalized gender-based violence in medieval China. Expanding on the continuous adaptation of Chinese Buddhism, the second paper addresses the convertibility of sexual forms in Mahāyāna Buddhist sūtra literature in the fifth century. The study explores conflicts of gender expectations present in two modes of literary narratives: one center on desexualized gender appearance with depictions of sexual transformation, and another concerns the biologically defined sexuality governed by reproductive anatomy. By examining conflict narratives, the study argues that the presence of sexual convertibility was attributed to a coercive compromise with entrenched gender norms during the institutionalization of Buddhism. With the secularization of Chinese Buddhism underway, the third paper uses art historical approaches to analyze a collection of illustrated scriptures found in the eleventh-century tomb of a female Buddhist practitioner from a scholar-official family. The study reveals her active agency in commissioning, owning, and using these illustrated scriptures, thereby confronting the dilemma of dictated vision to carve out her religious devotion and identity within the constrained schemas of visualized knowledge imposed by gender norms.

With assimilation and adaptation across different regions, Buddhist perception towards gender and sexuality gets involved in a perennial dialogue with local ideals that contribute to configuring specific fields of knowledge. Existing scholarships have engaged with gender and sexuality across diverse disciplines. Buddhologists have chiefly investigated doctrinal interpretation entrenched in Indo-Tibetan tradition, including tantric practice and monastic disciplinaries. In Chinese history, scholars narrate the historical development of gender from sociocultural perspectives across various topics, including but not limited to marriage and family, social roles and class, and religious experiences. However, previous studies have considered social roles as a priori whilst pursuing the identification of gender problems, without concerning the processes of how these structurally gendered norms were formed and challenged under specific socio-cultural contexts. Concerning knowledge production, we propose the “gendered dilemma” concept to outline the non-linear and multifaceted historical narratives, rediscovering nuanced multiplicities of temporal and spatial rhetoric engaged by Buddhist devotees living in medieval China.

As long as there is the existence of gender and sexual dichotomy, the way to cope with a “gendered dilemma” would become the locus of concern and normalization of gender-based violence and discrimination across time and regions. Engaging with the three case studies during the transformative period of Buddhism, the panel contributes to our understanding of a continuous historical trajectory that eventually leads to present-day Chinese religious communities and beyond. Examining the premodern scenario in Chinese Buddhist communities, as one of the currents of human religious experience, brings non-Western voices into the ongoing endeavor to examine the tension between soteriological agendas in religious doctrine and social realities of different values and interests. Moreover, this non-Western voice will contribute to the academic field of religious studies, as well as, gender and sexuality studies, providing a novel way to research gender dynamics in the future.

Abstract for Online Program Book (maximum 150 words)

By coining the term “gendered dilemma,” the panel investigates the situations with the presence of multiple gender norms, leading to inconsistencies and contradictions, consequently forging a new set of power/knowledge regimes. The dilemma surrounding sexual constructs, the concept of lust, and visions configures a rich multivocality in response to the tension and reconciliation emerging from the clash between the Buddhist and pre-established socio-cultural gender norms. Three papers in this panel seek to broaden the historical scope, spanning a transformative period of Buddhism from the late second to the eleventh century, presenting an examination of the “gendered dilemma” by textual comparison and analysis of early Chinese Buddhist sūtras with Confucian classical texts, a discourse analysis of gender convertibility in Mahāyāna sūtra narratives, and art historical analysis of female agency in possessing visuality in Northern-Song scriptures.

Papers

  • Abstract

    This paper investigates the problem of lust embedded within a few of the earliest renditions of Buddhist scriptures translated from second to third-century China. Earlier Confucian classical texts cemented a discourse that presupposed the male gender’s natural inclination to lust. However, the early translated Buddhist texts in China introduced a new discourse that ascribed bodily lust as the female gender’s natural inclination. It is commonly accepted that the literate elites eventually accepted both discourse sets. However, the initial period when the Buddhist discourse was introduced must have presented a dilemma for the elites to reconcile similar and different gendered notions with the existing discourse. The result was a new discourse that firmly amalgamated both sets of ideals and redefined lust expressed by the male and female genders. The consequences of three different discourses would set a new basis for future literati interpretations of gender relations in medieval China.

  • Abstract

    This study examines performativity within inconsistent narratives surrounding gender and sexuality in early Mahāyāna Buddhist sūtras, particularly exploring the theme of sexual convertibility in Sūtra on Transforming the Female Form, Chapter 6 of Vimalakīrti-nirdeśa-sūtra and Chapter 12 of Saddharma-puṇḍárīka-sūtra. By analyzing the magical displays of the Goddess to Śāriputra regarding body forms, and the transformative sexuality of Taintless Light Girl and dragon girl, juxtaposed with biological categories about sexuality in Brahmajāla-sūtra, the paper argues that sexuality, distinct from gender, plays a role in constructing gender dichotomy and hierarchies; its superimposition with gendered body forms results in inconsistent narratives that persist as gender dilemmas in the sūtras. The study underscores gender/sex convertibility displayed in a performative manner, showing a tendency of reconciliation of contradictions in narratives. This study introduces a novel intra-religious approach to gender issues in Buddhist sūtra literature, providing insights into narrative modes linked with Buddhist doctrines and rhetoric devices.

  • Abstract

    Ten sandalwood-scented Buddhist scrolls were discovered next to the body of Lady Sun (b. 995-1055), a Buddhist practitioner from a scholar-official family. Each scroll features frontispieces, printed or painted with ink and gold, with several bearing Lady Sun's signature. This study examines Lady Sun's visual preferences, her engagement with the materiality of these scrolls, and the sensory experiences she actively pursued within the constraints of medieval visual culture and gender norms. At a time when print culture was burgeoning, but dominated by literate male elites, Lady Sun's collection stands out. Not only did she own and sign printed scrolls that stylistic tracing to imperial printing projects of Buddhist canon, but she also commissioned hand-painted identical copies for printed sūtra with altered visual programs, thus personalizing her devotional practice and negotiating her religious and social identity with established patriarchal visual structures that restricted women's access to visual and religious autonomy.

     

Full Papers Available

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Session Length

90 Minutes

Schedule Preference

Monday, 3:00 PM - 4:30 PM

Schedule Preference Other

We are open to seeing this session celebrated Monday to have sessions on every day.

Tags

#Chinese Buddhism
#gender
#sexuality
#lust
#earlyChineseBuddhistTexts
#earlyConfuciantexts
#genderhistory
#BuddhistPrints
#Frontispieces
#NorthernSong