Art Theology, Non-Violence, and Wisdom from Margins

I have explored practices of improvisation not only as spiritual practices, but as enacted and embodied theology. For example, art and improvisation can be understood through theologies of co-creating with God, of responding to God, and of understanding creation as both human and divine. I focused on musical and dance improvisation and would welcome this opportunity to delve into the visual arts as theology. My current work centers practices of deep listening in community-engaged scholarship. This work continues to attend to dynamics of improvisation in order to pay attention to “wisdom from the margins” through listening and responding, co-creating, and engaging in practices that center belonging, compassion, and attunement over extractive methods of gathering information. This work takes time, space, and slowing down, all practices offered through Art Theology that could also serve to guide academic and ethnographic work in kinder and more attuned ways.