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Emergent Forms: Buddhist Poetical Language and Its Contexts, Session 2

Abstract for Online Program Book (maximum 150 words)

Did poetical language and Buddhism co-create each other around the turn of the Common Era in South Asia? If so, how? And what are the implications for the beginnings of Indic literature and for the development of Buddhist, Vedic, Jain, and other literary and religious traditions of Asia? Our seminar hosts four research presentations on sources from early to early medieval South Asia, bringing them into conversation with each other through formal responses and general discussion. In this second session, Andrew Ollett and Aleksandra Restifo respectively examine the cultivation of kāvya by Buddhist poets in the first three centuries of the common era, and how Jains envisioned aesthetic experience in the context of renunciation through early dramatic literature. Laurie Patton's and Thomas Mazanec's responses will broadly contextualize their presentations and raise questions in light of major scholarly paradigms concerning the history and development of Indic and Chinese literature.

Papers

  • Other Kuṣāṇa-period Poets

    Abstract

     Aśvaghōṣa is a good candidate for the “first author” of Sanskrit literature: the first historical person who is remembered to have composed a literary text. (Earlier authors composed non-literary texts, and earlier literary texts are attributed to non-historical persons.) Of course this is not quite true: Aśvaghōṣa belonged to a community of Buddhist monks who had, for several generations, been experimenting with writing kāvya. Although very little of their work survives in Sanskrit (or other languages, such as Gandhari, in which it was composed), this talk will examine the cultivation of kāvya by Buddhist poets other than Aśvaghōṣa in the first three centuries of the common era: Saṅgarakṣa (ca. 125 CE), Mātr̥cēṭa (ca. 125 or 230 CE), and Kumāralāta (ca. 250 CE). I am primarily concerned with the general outlines of their literary program, evinced by the formal features of their works and their explicit statements about literature and speech.  
  • The Effect of Drama: Towards a Theory of Aesthetic Experience in Early Jainism

    Abstract

    Renunciant traditions are known for their ambiguous views on drama since aesthetic experience distracts mendicants and laypeople from the right path rooted in equanimity and self-discipline. Having recognized the powerful effects of drama, however, Jains developed some of the earliest theories on drama and aesthetics, which they imbued with social and ritual efficacy. For instance, in the Piṇḍanijjuti, a drama about the world-emperor Bharata encourages five hundred kṣatriyas to renounce the world. In the Rāyapaseṇiya, a devotional performance by the god Sūriyābha represents a ritual internalization of the Jina’s biography. Through the analysis of these and other examples from early Jain literature, this paper argues that Jains envisioned aesthetic experience produced by drama and poetry as a source of social and ritual transformation, which affected individuals and communities.

Audiovisual Requirements

Resources

LCD Projector and Screen
Play Audio from Laptop Computer
Podium microphone

Other

Roving microphone for Q&A and discussion
Accessibility Requirements

Other

We request a room with a large seminar table arranged in a square layout for formal participants along with any audience members who can fit at the table, plus additional seating for other audience members. We also request a roving microphone. These would better accommodate accessibility needs and suit our seminar format where extended in-depth conversation is necessary. Due to the layout of the room assigned to us in 2023 and the lack of a roving microphone, it was difficult to hear audience members trying to participate in the conversation. In San Antonio last November we observed an ideal room layout for our needs at another session; this was GH-Lonestar Ballroom Salon D which hosted the Hindu Philosophy Unit session, "On the Nature of Poetic Language: A Philosophical Roundtable" on Nov. 18th from 9:00-11:00 AM (CST). A room like that would be ideal for our seminar format. We are not sure if this room style is listed as an option below.

Comments

We are unsure whether the room style we would need for accessibility and our seminar format corresponds to any of the options below, though it seems the "Conference" room style may come the closest. We have seen the room layout we would need at another session at the 2023 San Antonio Annual Meeting, and have described it above.

Full Papers Available

No
Program Unit Options

Session Length

90 Minutes

Schedule Preference

Saturday, 5:00 PM - 6:30 PM

Schedule Preference Other

We request the Saturday afternoon slots for our consecutive 90-minute sessions due to schedule constraints of presenters who do not normally present at the AAR.
Schedule Info

Sunday, 5:00 PM - 6:30 PM

Tags

#Buddhism
Sanskrit
#Buddhism #Chinese #Literature #Poetry
South Asia
#poetry #poetics #Indian
#hinduism

Session Identifier

A24-419