Submitted to Program Units |
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1: Daoist Studies Unit |
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Abstract for Online Program Book (maximum 150 words)
Daoist studies is dominated by textual scholarship. This panel directs our attention towards rich yet oftentimes sidelined materials beyond texts. The first paper disproves a longstanding assumption regarding a seemingly anomalous figure in the Heavenly Court murals (Royal Ontario Museum). By contextualizing it within Yuan drama, the paper shows that the figure resembles a common representation of the Lord of the Eastern Flower-Palace. The second paper examines the development of the Ghost King’s depiction in Chinese liturgical art (14th to 19th c.) from the Qinglong, Baoning, and White Cloud monasteries, illuminating his transition from a delegate of hungry ghosts to an empowered mediator between heaven, humanity, and the netherworld. The last paper examines the collective memory surrounding Mount Tai, arguing that it has become a "realm of memory" for different entities, Daoist Priests, spirit mediums, and state officials alike, whose seemingly contradictory recollections represent various facets of its history.